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Midnight's Children: A Novel

Midnight's Children: A NovelAuthor: Salman Rushdie
Publisher: Random House Trade Paperbacks
Category: Book

List Price: $16.00
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Seller: Despina C
Rating: 4.0 out of 5 stars 195 reviews
Sales Rank: 5,221

Media: Paperback
Pages: 533
Number Of Items: 1
Shipping Weight (lbs): 0.9
Dimensions (in): 8.3 x 5 x 1.2

ISBN: 0812976533
Dewey Decimal Number: 823.914
EAN: 9780812976533
ASIN: 0812976533

Publication Date: April 4, 2006
Availability: Usually ships in 1-2 business days

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Editorial Reviews:

Amazon.com Review
Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.

Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:

I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.
In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.

We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber

Product Description
Winner of the Booker of Bookers
Saleem Sinai is born at the stroke of midnight on August 15, 1947, the very moment of India’s independence. Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts.

This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Twenty-five years after its publication, Midnight’s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.



Customer Reviews:
Showing reviews 1-5 of 195
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5 out of 5 stars Rushdie's opus.   August 15, 2010
S. Curley (Charlottetown, PE, Canada)
One of the major burdens one faces when watching "Citizen Kane" in the 21st century is having to determine whether or not it is the greatest film of all time; similarly, reading Salman Rushdie's "Midnight's Children" carries with it the additional burdent of whether or not it is worthy of being perhaps the most praised novel of the last 40 years (winner not only of the 1981 Booker Prize, but both the 25th and 40th anniversary Booker Prizes). As with "Kane", it's a question best put out of mind, in my opinion; better to try and assess and appreciate the book on its own terms. This was the novel that made Rushdie famous (though not the one that got the hit put out on him by the Supreme Leader), and it is indeed well worth reading. Some spoilers follow.

The high concept in "Midnight's Children" is that, in the first hour of Indian independence in 1947, 1001 children are born with special abilities (some of them fantastical, some only mildly weird and not especially useful) - the Midnight's Children, as one of them, our protagonist Saleem Sinai, calls them. Saleem, whose ability is telepathy, is one of the most powerful, and the one who locates the others. But this is not the story you might think it was just from looking at the premise, which is one of the issues some people take with the book. The children are pretty far in the background, for the most part, one or two exceptions aside; indeed, you could rewrite this novel to remove the fantasy aspects and I don't think you would change anything fundamental about it. This is perhaps a bit disappointing on one level - when the government at the end comes down hard on the Children, fearing them as potential rival 'gods', it comes across particularly strangely since they've been around for 30 years and haven't really done anything of overt significance. But then, given that Rushdie is making a bitter attack on the policies of the government during the Emergency, perhaps that is meant to heighten the pointless barbarity of it.

Rather than being about the children as a group, this is really the story of one Indian family over the course of three generations, and how the tumultous history of India in the years from the 1910s to the 1970s affects them. Our narrator Saleem begins with the story of his grandparents, moving to his parents, and only gradually do we arrive at the moment of his own birth, and his life story. As Rushdie himself notes in the foreword included in this anniversary edition, most of the figures in his family are based to some extent on people in his life (though not too much; the author notes he was annoyed that his real father was unnecessarily (in his view) offended by the fictional Ahmed Sinai). Rushdie's writing style is quite marvelously musical prose, with numerous interseting stylistic points, and he creates a very interesting narrator/narrative interacton - there's plenty of metatext and unreliable narrative employed (my personal favourite being when one chapter concludes with the unglamorous death of the main antagonist, only for the narrator to confess in the next chapter that he has no idea what happened to the villain, and is only vainly hoping that he died). I'm not normally a fan of magical realism (the works of Garcia Marquez never particularly impressed me), but Rushdie makes it work.

Though perhaps not the story one might expect, I would recommend it.



1 out of 5 stars worst   July 31, 2010
smriti
0 out of 6 found this review helpful

still i am not received my books. your service is like hell and worst experience with you.


5 out of 5 stars Substantial Intellectual Inquiry   June 23, 2010
J. Frakes (Milwaukee, Wisconsin)
In Midnight's Children, Salman Rushdie integrates self-awareness with national identity. He demonstrates brilliantly how the national events in which we live influences our perceptions and worldview, and how our subsequent reactions (emotional, actual) become integral to ourselves. As when Saleem Sinai is born at the stroke of midnight on August 15, 1947, and India becomes a free nation, each of us experiences the midnight effect of being born into a nation at the moment of our birth. We are very much the product of our culture and consequential political envelope. We devise our own interpretation of events and distort them in memory to serve an (ever-changing) identity that drifts in an illusion of permanence and reality. The intentional distortion of historic events by a multitude of political factions adds to the illusionary veil of reality so that our assertions of truth and fact are further clouded. Rushdie's mystic reality is a perfect method to portray the mysticism of India, yet surely serves as a cross-cultural illustration of the deep mysticism of the human condition. We are all a chimera of our conscious/unconscious perceptions, associations, emotional reflections, and memory. The outward manifestations of change due aging are held together by the content of our surroundings; a history of events and experiences, some verifiable by supporting accounts, others more fraught with illusion and fantasy.

Midnight's Children carries the reader through a mirage of associations, reoccurring themes, and events - self-evolved by the selective recall of the author/character - in an intense reenactment of Saleem's life, a life portrayed within changing national backdrops, family, friends, loves and enemies, desires, fears, dreams, all melded in meaning and illusion. Are we the same at nine years old as at ten, or thirty, or sixty? Is vacillation in actions and convictions apparent, evident? The flow of existence is a continuity, a continuity of recalled events, external markers, and physical evidence; but of internal perceptions, beliefs, we have little empirical evidence to fall back on other than memory, a fallible proposition at best! We, like Saleem, are constantly adrift between these states.

Saleem is gifted, as a result of his magical moment of birth coinciding with his India's independence, with "...the greatest talent of all - the ability to look into the hearts and minds of men." This telepathy at an early age, however, leads to a combination of uncertainty, disillusion, and an unfocused call to action that ultimately results in a sort of observational existence, more a life of commentary and evasion than direction or goals. But maybe that's the point, direction itself is an illusion. The steps we take must surely be connected, yet the path that results is as much chance as fortitude. How were the hands dealt at birth determined? Why an estate rather than a slum, or a slum rather than an estate? It all seems real enough, until you read Midnight's Children and explore those assumptions.



4 out of 5 stars A masterpiece, but way too long   June 21, 2010
J. Heldman
Rushdie's prose is dense, filled with great writing and magical imagery. The problem is that there's no real plot to make it chug along, so it's a very long read. I ended up skimming the second half of the book, so that I could brag that I finished it.


5 out of 5 stars exquisitely imaginative   May 17, 2010
xt (Lexington, KY)
0 out of 1 found this review helpful

im not a wordsmith and will not be able to do this book justice.

the first few chapters are jumpy and staccato and difficult to read. once past this initial investment, rushdie unfurls a rich and complex story. as i continue to read, it seems the main character transitions from the current to the next... as the story unfolds offspring to offspring, generation to generation. of course this is all weaved with history in the kashmir region... delightfully vivid and imaginative. my favorite book so far


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